KSLU
St. Louis, MO
MD: Chris(tine) Sanley
website

{Read Spotlight}

 

 

 

 

 

 

You're an art major, right?

Yes.

Who's your favorite artist? Or what's your favorite style of art? Whatever.

My favorite style of art is Postwar German Expressionism, which includes artists such as Joseph Beuys, Gerhard Richter, and Anselm Kiefer.

Super. So, give us a brief rundown on KSLU past, present and future.

KSLU started back in 1920 as WEW, a faculty-run religious radio station which was the first radio station west of the Mississippi. In 1949, KBIL was established, making the station student-run in conjunction with the Communications Department, providing training for students preparing for the radio profession and serving as entertainment designed for the student audience. In 1983, the call letters KSLU were established. We currently broadcast over a closed cable channel on campus and stream online through itunes. While losing our airwaves in the 1980s placed extreme restrictions on our radio station at first, we are now in a time where this is not an issue, allowing us to reach a large listener base online. KSLU continues to grow and evolve, with over 100 members currently, we have nothing but high hopes for where we can be in the future.

What prompted you to get involved with college radio?

The annoyingly obvious answer, would be music. Duh. My freshman year, I had some friends who had gotten involved with KSLU and it sounded like a really fun activity to get involved in. I like music, I wanted to play music for other people, so alas, I applied for a show and quickly became obsessed with KSLU and college radio as a whole. I began assisting our Music Director at the time, eventually becoming MD myself, and now they are going to have to kick me out of my office at the end of this semester, kicking and screaming of course.

What kind of music do you as a DJ play for your audience?

During my show, I try to play a lot of new releases that I am excited about, ranging through many genres including folk (okay, a lot of folk), psychedelic, indie rock and pop. Additionally, I try to preview concerts we have coming to St. Louis in order to promote the show and introduce the listeners to the artists if they have never listened to them before.

What does KSLU do to increase awareness of the local music scene?

We realize that college radio is a great avenue for local artists to get their music heard. Outside of having a special CD rack dedicated to local music, KSLU is affiliated with our on-campus venue, The Billiken Club, which tries to put at least one local act on every bill. Not only does this allow them to share the stage with some great national touring artists, but gives them ability to reach a new crowd that may not have heard of them otherwise.

What was your most satisfying moment working at the Billiken Club? What about the opposite end of the spectrum? Anything that made you want to run and hide and never go back there again?

Throughout my time at SLU, The Billiken Club has been my baby. So, to be cheesy, I kind of have to say that every moment has been really satisfying. It keeps getting bigger and better, and it is really gratifying to stand back and watch how many people appreciate what we do. If I had to pick one moment that was the most satisfying, it would probably be when the Riverfront Times named the Billiken Club "Best Rock Venue" for 2007. Our staff works really hard, without pay, to make some really awesome shows happen, and it was nice to get some recognition. As for wanting to run and hide, there was one incident at the club where a concert-goer got extremely angry at the slow bar service, picked a fight with the bartender, threw things, and got kicked out. No one wants to see that happen at their venue. But, all and all, The Billiken Club is the greatest thing in the world, or at least St. Louis in my opinion. I love every minute working there.

Please explain what a "quote attack" is.

A quote attack is an artform, really. It is fighting with words, but not your words, those of others. You pick a good quote and exclaim it in the face of your opponent while making quotation marks with your fingers. If need be, a quote attack can take digital form as well. This can go back and forth for quite some time, especially when you are dueling with Mr. Hector Montes.

If you had a choice between going to an awesome party or falling asleep in front of a TV while watching Mulan, which would you be more likely to do? Be honest.

As much as I would like to say "going to an awesome party, duh," I cannot. During SXSW last year, my partying skills were way below par, and yes, I ended up falling asleep at 7pm in my hotel room watching Mulan, only to wake up the next morning and say "crap."

As industrial society continues its inevitable collapse, and our national infrastructure slowly but surely begins to unravel, a sense of regional identity becomes crucial to survival as tribalism makes its triumphant return. What ten CDs would you take with you into the Independent Republic of St. Louis?

Oh lordy, here we go (in no particular order):

Les Savy Fav - Inches
Paul Simon - Graceland
Grizzly Bear - Horn Of Plenty
Phosphorescent - Aw Come Aw Wry
Sonic Youth - Daydream Nation
Talking Heads - Remain In Light
Michael Jackson - Thriller (yeah, seriously)
Talkdemonic - Beat Romantic
Joanna Newsom - Ys
New Pornographers - Mass Romantic

If you had to give up either coffee or whiskey, which would you choose? Please phrase your answer in the form of a haiku.

whiskey or coffee
a tough call, but not the last
whiskey shan't be passed

At the 2007 CMJ College Radio Awards, KSLU won "Biggest Improvement" for the second time in three years. What happened in the year between those two awards? Did you just suck for that one year or what?

I think it is rather amusing that we received that award, again, in such a short amount of time. I do not believe it is because we sucked for a year, then stopped sucking again. Rather, when we received the award in 2005, we had made some really great strides as a radio station after several years of, er, kind of sucking. We were awesome and at the top of our game. In 2006, we reached a plateau. We were happy with how awesome we were, and focused on maintaining that status, nay, perfecting that status, before continuing with bigger and better improvements. Finally, in this past year of 2007, we began to implement more changes including, but not limited to, a new website, dependable specialty music directors, new software for the studio, and a new production studio.

It took Hector a really long time to write these questions and send them to you. Given the long wait, aren't they kind of disappointing?

No, not at all. You are here to make people happy, Hector. I am smiling right now, really. Job well done.

One last question: you're afraid of birds. How can you possibly be afraid of birds?

Okay, I know this is kind of weird. Not only am I afraid of birds ... I am TERRIFIED of birds. During my childhood, I had some very traumatic experiences with this species including being attacked by a peacock at the zoo, being dive bombed by birds in my backyard while trying to protect my dog from them, and pigeons just really grossing me out. To this day, I remain afraid. I hope to get over it one day, but let's get serious, I don't know if it will ever happen.

We at AAM are of the opinion that, at heart, we are all Tim Kinsella. This is your chance to prove it, and win cool Joan Of Arc stuff in the bargain.

{Read Contest}

Hopefully you haven't been living under a rock, but just in case you have, here's the story behind the making of Joan Of Arc's newest album: JOA mastermind Tim Kinsella posted a sign-in sheet on the wall for collaborators to schedule a time to drop into the studio to record. The fruit of this unusual method is Boo Human, a sprawling masterwork that, its many component parts aside, could only have come from the fertile musical mind of Tim Kinsella.

We at AAM were curious about who Kinsella would have liked to have signed up to take part in Boo Human who, for one reason or another, didn't. So we went ahead and asked him! His unedited answer follows.

JOAN OF ARC DREAM COLLABORATORS LIST

Lungfish - access to other realms
Bauhaus - familiar sounds in strange combination
Can - immediacy
Captain Beefheart - jerky-strut
Talk Talk - layers
Alan Watts - keep your cool
Jodorowsky - lose your cool
Allen Ginsberg - cultural criticism in inter-dimensional terms
Big Star - melodies
Bill Fay - Jesus
Brian Eno - strategies
ESG - simplicity
Fleetwood Mac - democratic self-obsession
Flying Saucer Attack - patience
Goblin - anything is possible
Jack Kerouac - on the road
Jimi Hendrix - God
John Cale - taste
John Fahey - America
Jorge Ben - Africa-Brasil
Karen Dalton - phrasing
Last Poets - cultural immediacy
Lee Hazelwood - smart and funny sad
Leonard Cohen - is Leonard Cohen
The Velvet Underground - is something we all have to deal with
Merzbow - overwhelming freedom
Moondog - dedication to imagination
Morton Feldman - let the listener do the work
Nation of Ulysses - cool
Pussy Galore - wild
Queen - complexity and simplicity
The Red Krayola - art criticism
Robert Wyatt - true to himself in a historically engaged manner
Scott Walker - depth
Serge Gainsbourg - everything has its place
Shira Small - beautiful naivety
Silver Apples - techno-tribalism
Sun Ra - limitless potential in the immediate
Television - guitars
Terry Reid - that voice
Terry Riley - evolution
Tony Conrad - playing slow is harder than playing fast
Young Marble Giants - not much going on
Lao Tzu - morality
Rumi - mysticism
e.e. cummings - self who?
Richard Brautigan - keep a straight face
Kenneth Patchen - dedication to your fellow man
Assata Shakur - exile
Dario Argento - functional style
Walter Murch - vast knowledge of various disciplines integrated
Robert Anton Wilson - blessed skepticism
Ram Dass - loveable
Ken Wilber - heart in terms of mind
Roman Polanski - strange
Mark Twain - funny
Virginia Woolf - connotations
Delmore Schwartz - in dreams at 21
Dylan Thomas - bask in cadence
Andy Kaufman - never told a joke
Guy Debord - psychogeographer
Kubrick - master
Rilke - striking inward
Borges - self-reflexivity
Vonnegut - love is funny
Cassavetes - love is what everything must be constructed from
Michael Haneke - narrative billiards
Nicholas Roeg - independent narrative structure of the surface
Altman - weed
Andrei Tarkovsky - small gestures set the pace
Peckinpah - probably would've killed us if he was around
Chomsky - recalls everything on cue
David Icke - inter-dimensional conspiracies unravelled
Malcolm X - self-determination
Zizek - backwards world
Carlos Castaneda - what world?
bell hooks - this world!
Eldridge Cleaver - eloquence
T.S. Eliot - history now in fragments
Orson Welles - couldn't get a break
Warren Oates - everyman
D.T. Suzuki - quiet
Fellini - festive
Harry Dean Stanton - happy sad
Gore Vidal - cosmopolitan
Alan Arkin - charming
Ingmar Bergman - silence of God
Fassbinder - unstoppable
Ben Gazarra - Cosmo Vitelli

So the question is: who are your dream collaborators? If you were making an album, who would you want on your sign-up sheet? Let us know and you could win the following?

- First Prize: Joan Of Arc t-shirt and copy of Boo Human on vinyl
- First Runner-Up: Boo Human on vinyl
- Second Runner-Up: Boo Human on CD

Answers should be sent to hector@aaminc.com and will be judged based pretty much arbitrarily. So go nuts and show us who you're working with. In your dreams.

 
 

Interview: Headlights
With one of the best debut full-lengths of 2006, Kill Them With Kindness, already under their belts, Champaign, IL's Headlights have released one of the best of 2008 with their sophomore album, Some Racing, Some Stopping, and are currently in the midst of a lengthy tour to support it! Erin Fein & Tristan Wraight were good enough to answer some questions about recording, touring and life in general for us, so read on, and don't forget to check out Headlights in a city near you!

{Click it!}

What are the differences between recording at your "farmhouse" and recording in a traditional studio? Do you feel it affects the quality of your work? Is it more inspirational?

The difference is being at home and not in a studio that has hourly rates. It was a very casual experience. We had all the time we wanted to experiment with sounds and arrangements or to make dinner. The farmhouse played a big part in the recording. Our front stairwell has a lot of tile and hardwood and strange angles. We recorded strings and horns in the stairwell, we also did a lot of drums and guitars in there. I think that while the house may not exactly be "inspirational" it does provide the perfect environment for us to dig in and focus without much distraction.

What is the writing process behind the songs? Is one person usually behind it all or is it a collaborative process?

Tristan and I both write the tunes. Sometimes we write together and sometimes we write separately. We also usually make demos before bringing the songs to the band. Garageband is my new best friend. It's made it really easy for me to express where I would like a song to go. I actually think that's why our record is so much more cohesive than the last...we were able to bypass our lack of musical language with demos. A song doesn't fully come together though, until everyone in Headlights has put their mark on it. And that's why I love our band so much. Everyone pushes each other to not get lazy.

What is your favorite city to play?

So far...Basil, Switzerland. ALL of Germany! Salt Lake City, UT. Chicago, IL. New York, San Francisco and of course our home town(s) Champaign-Urbana, IL.

What is your favorite song on Some Racing, Some Stopping and why?

There is no way to pick a favorite.

What inspired the title Some Racing, Some Stopping?

Well...it really just came from the song on the record that's also called "Some Racing, Some Stopping."

We all felt like the song was a lyrical and stylistic focal point for the record. It also conjures up imagery that really moved all of us so we decided it would be a fitting record title. I don't want to say exactly what it means to me because I think it could mean a lot of different things. In fact, it definitely means more than one thing to me and I like that.

What are you guys listening to in the van on tour?

We have been listening to our friends Page France. The live My Morning Jacket. LCD Soundsystem.

Whats your favorite movie/video game/record/etc from this past year?

No Country For Old Men, There Will Be Blood.

Page France - And The Family Telephone. The Snake, The Cross, The Crown - Cotton Teeth. The National - Boxer. Bowerbirds - Hymns For A Dark Horse.

Do you guys have any talismans that you bring along on tour?

Someone gave us a donkey tooth necklace. We also have a sombrero for the dashboard. Erin has a pebble.

What city has the best food?

New York City: Tiny's. Austin, TX: The Salt Lick. Paris. Rome. Murfreesboro, TN: The Slick Pig. Seattle, WA: The Moose Cafe. Portland, OR: Gravy.

What is the toughest thing about being away from home?

Some of us miss our ladies. Some of us miss our families. Some of us miss our dogs and cats. Our beds. Our own kitchens and toilets. Alone time. Most of us miss all of the above. We don't miss sitting at home waiting to go on tour again, though. We love touring, it makes us feel like we're doing what we are supposed to do. Tour is a pretty busy time. It's a 24 hour a day job. You don't get too much opportunity to think about what you're missing.

 

AAM Goes To Pitchfork!

Pitchfork

King Khan, Caroline [AAM], Randy + Dean [No Age] - 07.20.08 @ Pitchfork Fest

Jeremy Jay Visits WNYU!

Jeremy Jay at WNYU

Justin Gressley [AAM], Kayla Cohen [WNYU] + Jeremy Jay - 07.15.07 @ WNYU

NOMO Visits AAM!

NOMO

NOMO - 07.14.08 @ AAM

Also check out the rave Pitchfork review of their new full-length Ghost Rock.

Joan Of Arc: Spin.com Artist of the Day!
Does Spin.com love us or the artists we work with? Why can't it be both? You decide, but while you're doing that make sure to go HERE to see Joan Of Arc, Spin.com's Artist of the Day for Friday, May 16th!

Jealous Girlfriends hit the road with Sea Wolf!
If we look excited here in the AAM offices, it could be for any number of reasons: the refreshing spring weather, all the amazing music we get to listen to and work with all day, the multiple daily appearances by Mr. Jeremy DeVine...lots of stuff. Among the many things we're excited about, we'd be remiss if we didn't mention that two of our favorite bands, Jealous Girlfriends & Sea Wolf, are going to be on tour together starting May 22nd! All the dates can be found by going to our Tours page, so be sure and head out to catch two awesome bands when they come to your town!

When Dinosaurs Ruled The Earth: Spin.com Artist of the Day!
Our favorite Austin, TX-based junkyard-metal septet, When Dinosaurs Ruled The Earth, is Spin.com's Artist of the Day for Monday, May 12th! You can check out the feature, listen to "Hairvest" from their new album Not Noiice, and see their awesome video for "It's Not The Heat, It's The Humidity" -- all by clicking HERE.

Desoto Records / J Robbins
DeSoto Records has set up a fund to raise money for Callum Robbins, the infant son of J. Robbins & Janet Morgan of the D.C. band Channels. “Cal” was recently diagnosed with, Spinal Muscular Atrophy, an incurable and often fatal spinal disease. Spinal Muscular Atrophy affects the brain's ability to communicate with the voluntary muscles that are used for activities such as crawling, walking, head and neck control, breathing, and swallowing. There may be some hope for Cal by turning to alternative medicine which is not often covered by insurance and the family could use some help. The kind folks at DeSoto have set up a Paypal account to accept donations for the Robbins’ family.

Over the years, J. has produced records by Against Me!, Jimmy Eat World, The Promise Ring, Dismemberment Plan and dozens of others. It is also safe to say that he has inspired musicians around the world. To learn more about how you can help check out Cal’s page on the DeSoto website:

www.desotorecords.com/cal/index.shtml